What's Mine's Mine — Volume 2 by MacDonald, George, 1824-1905

By the time the story was over, to which Mercy had listened without a word, they were alone in the great starry night, on the side of a hill, with the snow high above them, and the heavens above the snow, and the stars above the heavens, and God above and below everything. Only Ian felt his presence. Mercy had not missed him yet.

She did not see much in the tale: how could she? It was very odd, she thought, but not very interesting. She had expected a tale of clan-feud, or a love-story! Yet the seriousness of her companion in its narration had made some impression upon her.

"They told me you were an officer," she said, "but I see you are a clergyman! Do you tell stories like that from the pulpit?"

"I am a soldier," answered Ian, "not a clergyman. But I have heard my father tell such a story from the pulpit."

Ian imagined himself foiled in his attempt to interest the maiden. If he was, it would not be surprising. He had not the least desire to commend HIMSELF to the girl; and he would not talk rubbish even to a child. There is sensible and senseless nonsense, good absurdity and bad.

As Mercy recounted to her sister the story Ian had told her, it certainly was silly enough. She had retained but the withered stalk and leaves; the strange flower was gone. Christina judged it hardly a story for a gentleman to tell a lady.

They returned almost in silence to find the table laid, a plentiful supper spread, and the company seated. After supper came singing of songs, saying of ballads, and telling of tales. I know with what in- credulity many highlanders will read of a merry-making in their own country at which no horn went round, no punch-bowl was filled and emptied without stint! But the clearer the brain, the better justice is done to the more etherial wine of fthe soul. Of several of the old songs Christina begged the tunes, but was disappointed to find that, as she could not take them down, so the singers of them could not set them down. In the tales she found no interest. The hostess sang to her harp, and made to revering listeners eloquent music, for her high clear tones had not yet lost their sweetness, and she had some art to come in aid of her much feeling: loud murmurs of delight, in the soft strange tongue of the songs themselves, followed the profound silence with which they were heard, but Christina wondered what there was to applaud. She could not herself sing without accompaniment, and when she left, it was with a regretful feeling that she had not distinguished herself. Naturally, as they went home, the guests from the New House had much fun over the queer fashions and poverty--stricken company, the harp and the bagpipes, the horrible haggis, the wild minor songs, and the unintelligible stories and jokes; but the ladies agreed that the Macruadh was a splendid fellow.

CHAPTER II

ROB OF THE ANGELS.